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CHRISTINE ALBERT - PARIS, TEXAFRANCE
The Run-off Groove
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by John Book April
2008
Christine
Albert
has brought together her love of Texas with her French
roots and has come up with an album that is sure to be
favored by more adventurous Americana listeners.
Paris, Texafrance (Moonhouse Records) is an album
full of great country, bluegrass, and folk, some of it
sounding like it comes from a time long gone and yet
still very familiar to anyone who listens to these
styles.
What I get out of this album is a sense of roots and
family. When Albert sings in French she does so with
honor. When she sings in English she does so with grace,
and one can imagine every cowboy and businessman
saluting her because she may remind them of home. Her
music sounds familiar and warm, and perhaps those who
have seeked her music for the last few years come to
hear just for those reasons. Imagine a mix of Linda
Ronstadt and Barbara Mandrell and you have a
good sense of what Albert is capable of doing, but in
her own unique way. The songs themselves are a diverse
selection of songs that have a common thread running
through, all of them chosen because they meant something
to Albert, whether it was a song that reminded her of
her grandmother or citing a song like "The French Song"
(recorded by Lucille Starr) that became a
surprise international hit. Each show a love of her
culture, but the country flair adds a unique quality to
these songs. When the direct approach is taken, it also
works extremely well, as it does in her rendition of a
song Edith Piaf made famous, "Chante Moi". Albert
handles it with a lot of conviction, and even if like
myself you don't speak French, you can sense the sorrow
and longing of some of these songs which have been
brought back to life, or perhaps the old wardrobe has
been replaced by the new.
I hope Paris, Texafrance brings to Albert a lot
of attention for this very bold project. In a live
setting, it would be great if she was able to have
former Duhks singer Jessee Havey sit in on
a song or two. It is Americana at its best, and I hope
people who like good down home music will appreciate
this for the masterpiece it will become in the next ten
to twenty years.
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